Ten years ago I installed an Ikea Digniet wire in our dining room to provide a place to “hang my collection of ephemera.” When we got the dining room painted a few years ago, it got taken down, the wall repaired, and the ephemera went back into the archive.

But I saved the wire, and today Lisa and I hung it back up, this time in our front hallway:

A white hallway with a wire strung across the wall at eye level. There are 5 pieces of art hung on the wire, front left to right: a black and white abstract drawing, a colourful monotype print, a print with three simple coloured bars overlaid with red type, a broadside with bold aubergine HE, with helium printed underneath in black, and a black poster printed with an overlapping alphabet in grey and pink.

From left to right, the pieces we’ve hung to start:

Meanwhile, around the corner at the bottom of the stairs, Lisa hung a framed version of my Furiously Curious print, using an inexpensive red frame from Ikea that complements it well:

On a white wall, at the bottom of the stairs, lit from the left, is a red-framed broadcast with the words "furiously" and "curious" printed, in lower case, in red, at the top and bottom, with the text "I WAS SO CURIOUS, NOT IN A GENTLE, PASSIVE WAY, BUT FURIOUSLY CURIOUS. IT DRIVES ME CRAZY IF WE JUST ACCEPT SOMEONE'S DOGMA." printed, all caps, in black, between, all on a bright yellow background.

And, while we were on an art-roll, Lisa suggested we retrieve a large painting from storage and use it to fill up a large empty space on our kitchen wall:

A large abstract painting, in blues, greens, and greys, hung on the white wall of a kitchen, with the fridge, covered in ephemera, to the right.

Behind all three of these hangings were slight eruptions of internal discomfort that I needed to quell.

I don’t like drilling holes into walls (it seems so permanent).

I don’t like that the fridge door can slam into the kitchen artwork.

That the front door opening can rustle the art-on-a-wire makes me nervous.

But what trumps those discomforts are the inarguable facts that they improve our living space significantly, and they allow us a place to see our own work, and those of our friends and familiars, out in the open.

(Lisa wrote a post—a much better one—about the same thing!)

🗓️

Spotted in my friend Shannon’s bathroom in Kingston earlier this week:

A small card set into a corner of a wooden rack, reading "don't get too far ahead of yourself life's happening right now, right here of all the places that I could be this moment's the most dear"

Wendy Luella officiated at my friend Stephen’s mother Carol’s funeral.

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Hand-drawn comic titled 'Carol’s Funeral in Parham'. Six panels arranged in a 2×3 grid. Top left: Large title 'Carol’s Funeral in Parham' with a pine tree drawing. 'Carol’s' is in red and black, 'Parham' is in orange block letters. Top right: 'I have been friends with Stephen for 40 years. We met in Peterborough in 1985, and we’ve stayed friends, despite time and distance.' Middle left: 'Early on, I met the other Southalls:' with a diagram showing Carol + George with arrows pointing to David, Dianne, Stephen, John, Kenny. Note: 'Over the years there were more: partners, children, grand-children.' Also: '* Elizabeth' and 'The Bird *'. Middle right: 'I went to supper with the Southalls, swam at their lake, took off-books communion from (Rev.) George, played cards, met dogs (and more dogs). Had fun.' Bottom left: 'In 2008, George died. I flew up for the funeral, in the basement—church Zion United, in Kingston. It felt right to be there. Joyful, despite it all.' Bottom right: Banner 'THE NEXT YEAR'. 'Stephen moved in with his mother Carol, her Parkinsons meaning she needed care, care that Stephen could provide. He did—for 16 years.' Page number 67 in lower right.Hand-drawn comic page with six panels titled 'Carol Died Last Week'. Top left panel: 'Carol died last week, in hospice, a few blocks from her house, at age 91, surrounded by many (many) Southalls who loved her.' Top right panel: 'I knew I need to go to her funeral—just knew it in my heart.' Four red heart illustrations. 'So on Sunday night I flew from Charlottetown to Montréal.' Middle left panel: 'Enterprise assigned me a sleek Hyundai Santa Cruz as my “economy” car.' Drawing of a brown Santa Cruz with labels: 'covered bed', 'power gate', 'crew cab', 'big display'. 'It felt like the future.' Middle right panel: 'I drove from Montréal to Perth on Sunday, by way Carleton Place.' A simple map shows a route from Montréal through Carleton Place to Perth to Parham. 'Of Carleton Place, where my great-grandfather Edgar Caswell was born in 1872. We communed.' Bottom left panel: 'I stayed at the Colonial House Motor Inn ($109). Clean. Spartan. On Monday morning I had breakfast (a bagel & lox) at nearby North Folk Café (very good).' Bottom right panel: 'On the way out of town, I bought an apple-blackberry pie at the Perth Pie Co., hot from the oven.' Drawing of a slice of pie. '(Pie never hurts.)' Page number 69 in lower right.Top-left panel: Hand-drawn text reads: "The next stop was The Log House, built originally by George and Carol and now owned by Kenny. I'd spent many happy hours there, years and years ago. I (didn't) learn to windsurf there. We all went for a swim. (A very Southall-y thing to do after a funeral)" Top-right panel: Hand-drawn text reads: "More conversations with more Southalls. Landlord. Researcher on healthcare systems. Speech-language pathologist. Teacher - turned teacher. Cinematographer. Builder. (You could recreate civilization just with Southalls.)" Bottom-left panel: Hand-drawn text with a simple map sketch showing locations connected by lines reads: "On the way down to Stephen's in Kingston we drove through many of the town's and villages of Catherine's life. Her Aunt Ioma's cottage in Godfrey, her grandmother's apartment in Verona, the Miller farm in Harrowsmith. This was my first time back to her home places since she died 5 years ago, and in that way there was an extra layer of reckoning." The map shows: Pacham, Cole Lake, Godfrey, Verona, Harrowsmith, and Kingston marked with dots and connected by lines. Bottom-right panel: Hand-drawn text with a simple sketch of a plate of food reads: "IN KINGSTON we landed at (Stephen's friend, now our friend) Shannon's house. We shared a meal:" The sketch shows a plate containing Macedonian sausages and potato pancakes. Text continues: "And for dessert, the apple-blackberry pie, with coconut ice cream. We finished with a rousing game of Triominos." Bottom text: "After supper, Stephen and I went to his house, a house still with so much evidence of Carol, her life, her illness. It was hard."The fourth page of a comic titled "Carol's Funeral in Parham"Hand-drawn comic page with four panels. Top left: Text reads 'TUESDAY Shannon, her dog Teddy, Stephen and I had breakfast at The Elm. Espresso and a BLT. BOTH VERY GOOD.' Simple sketches show a pretzel bun with bacon and lettuce, and a coffee cup. Top right: Text reads 'We went shopping for (Kingston-made) relief printing ink at ArtNoise, and came away with' followed by sketches of a square piece of lino (30cm x 30cm), a brayer, and small tubes of ink. Bottom left: Text reads 'In all the hullabaloo at the hospice and after, Stephen misplaced his phone (I know). So we dropped by the hospice to check. What a place! Bright, open, airy — both architecture and people.' Bottom right: Text reads 'FOR LUNCH, Mekong, excellent Vietnamese food, punctuated by a need to feed parking meters.' Sketch shows a parking meter with text noting 'curiously placed on/off button under the screen' and 'Stephen & Shannon had coins!' Final section at bottom: Text reads 'And then, with hugs, I was off, to Montreal on the 401, for a flight the next day. It was hard to leave — I wish I could have stayed back to help Stephen with what's ahead. But I also know that the important work to come is inside work. For my last night away I stayed at the monastery in Oka, since re-imagined as an auberge. A simple room. A single bed. Birds singing. Quiet. Only one other guest. A good place to pause.' Small sketch shows a simple round logo or symbol.Hand-drawn comic page with a quote at the top in quotation marks: 'I hope death is like being carried to your bedroom when you were a child and fell asleep on the couch during a family party. I hope you can hear the laughter from the next room.' Below the quote is a simple sketch of what appears to be a memorial card or booklet with text reading 'In loving memory Carol Southall' with dates '1930-2018' and a simple cross or religious symbol in the center. An arrow points from the quote to the memorial card."
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A page from my sketchbook illustrating my renunciation process. A page from my sketchbook illustrating my renunciation process.
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Ton reminds me that it was 20 years ago this week, in June of 2005, that we were all at reboot7 in Copenhagen

That conference—and those that followed in 2006, 2007, 2008, and 2009changed are changing my life, in ways that I continue to discover.

A poster in a window with the text "Exhibition under construction" in English under the Danish equivalent. The poster has spreadsheet-like rows and columns, punctuated by bright yellow squares.

Some of that change was obvious at the time. 

In reflecting on the closing day—exactly 20 years ago— I wrote, in Shy:

And of course I’m just plain afraid. Terrified of the unknown, suddenly left frozen at the thought of freeform social contact.

Given that the interesting part of conferences happens during the “hanging out in the coffee room after the speakers” part, this fear / awkwardness / terror leaves me at something of a disadvantage.

Halfway through reboot, I decided that, fuck it, I had to just jump off. Pretend I wasn’t terrified, and see what played out.

(It worked.)

In other  ways I’m only now able to understand why reboot was so important, what role it played in my life, how it saved my life.

Reboot was my gateway to cultivating a love of Europe, an easy facility with Europe, and a network of European friends. Denmark, Sweden, Germany, The Netherlands, Portugal, Italy, and the friends thereof, have proved a wellspring of ideas, inspirations, opportunities, connection. 

What a privilege it is to have a magic place to go, long over the horizon and far away from the everyday, that serves as a kind of off-site for mind, body, and soul.

reboot before the people

But time has shown me more.

In recent months I’ve been working with a counsellor schooled in the ways of Internal Family Systems, and through that practice I’m becoming more aware of what IFS calls my “self” and my “parts.” And through that, I’m starting to learn more about how elusive my “self” has been, for a long, long time.

IFS associates “self-leadership” with “eight Cs”:

It is also a way of understanding personal and intimate relationships and stepping into life with the 8 Cs: confidence, calm, compassion, courage, creativity, clarity, curiosity, and connectedness.

Those are all qualities that, to one degree or another, have been absent from my life, obscured behind a thicket of parts—fear, anger, loneliness, overwhelm, disconnectedness, shame, avoidance. One of the great gifts of plucking up my courage to go to that first reboot conference, and the opportunities that followed from it, is that I was gifted a glimpse of “self,” a creative, courageous, curious version of myself. 

I love that guy, and it’s no wonder that I was, and am, drawn to Europe to rekindle my relationship with him.

So, yes, reboot saved my life, let me connect to myself.

But it also delayed my life, stunted it. 

By rooting access to “self” off-shore, I remained content, or at least resigned, to allow my everyday life at home to be “parts-led.” 

Historically, I felt this most acutely on the transitions back to home from Europe, where it felt like a fog descending over me, like going through a glitchy version of the Star Trek transporter that filtered out access to some important parts of myself.

This is difficult to write about, in part because it appears that I’m throwing a huge swath of my life under the bus, a swath rooted in a partner who died, a child I’m continuing to raise, myriad work and volunteer projects and relationships. 

I don’t want to suggest that my life has sucked, with brief respites when it didn’t, because that’s both not true, and over-simplifies the ever-changing presence of “parts” and “self” in my life.

But I do find myself understanding how much I have been holding in for so long, how shallow I’ve allowed my relationships to be, how I’ve used fear as a guard against vulnerability.

Pete Livingstone—who I met in Copenhagen many years ago, another byproduct of my reboot life—wrote this, in a blow-by-blow of his 2024 cancer treatment:

On the other hand I can now concede that being pushed towards an awareness of ones own mortality – coupled with a degree of illness and physical discomfort - may have some weird and unexpected effects on ones unconscious mind. In my case it feels like that the experience I have gone through has conferred on my body and mind an ability to perform, on occasion, what I want to describe as an “action”, a kind of psychic, almost physiological muscle-flexing. This “action” feels completely novel to me, but I can feel that the potential to carry it out has always lain dormant inside me, and indeed is part of how I, and I presume all other humans, are put together. It’s as if, quite sensibly, we contain an algorithm in our unconscious which lies in wait, and is specifically for dealing with suffering and death. The tentative flexing of this previously unused psychic muscle seems to set off some emotional events which I find unfamiliar in an almost alarming way.

Perhaps you could describe what Pete experienced as a “reboot,” and perhaps I could, now that I think of it, describe my life in recent years in the same way.

Like reboot the conference gifted me a taste of “self,”  going through years of life as a carer, living through the death of my partner of 28 years, nurturing Olivia through COVID, finding new love in an audacious partner (and an audacious step-daughter), leaving paid work and reimagining myself as a printer, helping set Olivia off toward independence, all of that was a portal, its own kind of reboot, that, having emerged, somewhat intact, out the other side, allows me slightly more clarity, more access to my parts and my self and how I have lived, and will live my life.

When I reflected on that first reboot 15 years ago, on its 10th anniversary, I wrote:

On June 14, I flew back to Prince Edward Island, via Frankfurt and Montreal. Exhausted but happy and very, very changed.

That’s not a bad way of describing my current state: exhausted but happy and very, very changed.

Thank you, reboot.

A gathering of people in the far distance in a city park.
🗓️

Since I migrated this blog to a Hetzner server, I’ve been paying attention to the “Graphs” tab of the server dashboard to see how the capacity of the server matches the traffic I’m expecting it to handle.

One of the things I’ve noticed is that there are regular periods of very high CPU usage, periods where the 4 vCPUs are almost maxed out:

A graph showing 24 hours of CPU usage on my server, with a Y-axis of 0% to 400%

These periods are accompanied by corresponding jumps in network traffic:

A graph showing 24 hours of network traffic on my server, with a Y-axis of 0 bps to 1.5 Mbps

I got curious about what might be causing this, and, because I suspected web traffic bumps, I started by looking at the 20 most popular user-agents in my Apache logfiles, with:

awk -F'"' '{print $6}' access.log | sort | uniq -c | sort -nr | head -20

The result:

577651 Scrapy/2.11.2 (+https://scrapy.org)
 39018 Mozilla/5.0 (Linux; Android 5.0) AppleWebKit/537.36 (KHTML, like Gecko) Mobile Safari/537.36 (compatible; Bytespider; spider-feedback@bytedance.com)
 23216 Mozilla/5.0 (iPhone; CPU iPhone OS 18_5 like Mac OS X) AppleWebKit/605.1.15 (KHTML, like Gecko) Version/18.5 Mobile/15E148 Safari/604.1
 15561 Mozilla/5.0 (X11; Linux x86_64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/117.0.0.0 Safari/537.36
 14793 Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; GPTBot/1.2; +https://openai.com/gptbot)
 14571 Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/137.0.0.0 Safari/537.36
 12838 Mozilla/5.0 (Linux; Android 10; K) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/137.0.0.0 Mobile Safari/537.36
 12306 Mozilla/5.0 (compatible; SemrushBot/7~bl; +http://www.semrush.com/bot.html)
 10834 Mozilla/5.0 (Macintosh; Intel Mac OS X 10_15_7) AppleWebKit/605.1.15 (KHTML, like Gecko) Version/18.5 Safari/605.1.15
  9714 Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; +claudebot@anthropic.com)
  7104 Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; Amazonbot/0.1; +https://developer.amazon.com/support/amazonbot) Chrome/119.0.6045.214 Safari/537.36
  7005 Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; bingbot/2.0; +http://www.bing.com/bingbot.htm) Chrome/116.0.1938.76 Safari/537.36
  6287 Wget/1.21.3
  5885 meta-externalagent/1.1 (+https://developers.facebook.com/docs/sharing/webmasters/crawler)
  5093 Mozilla/5.0 (Windows NT 10.0; Win64; x64; rv:139.0) Gecko/20100101 Firefox/139.0
  4798 Mozilla/5.0 (Linux; Android 6.0.1; Nexus 5X Build/MMB29P) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/137.0.7151.68 Mobile Safari/537.36 (compatible; Googlebot/2.1; +http://www.google.com/bot.html)
  4593 Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/91.0.4472.124 Safari/537.36
  4143 Mozilla/5.0 (Macintosh; Intel Mac OS X 10_15_7) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/137.0.0.0 Safari/537.36
  3446 -
  3228 Mozilla/5.0 (X11; Ubuntu; Linux x86_64; rv:72.0) Gecko/20100101 Firefox/72.0

I asked ChatGPT to normalize and summarize, which gave me:

LinesNormalized User-AgentTypeNotes
577651ScrapyBotLikely automated scraping (Scrapy framework)
39043BytespiderBotFrom ByteDance (TikTok); known aggressive crawler
23337Safari on iPhoneBrowserHuman traffic, Apple mobile Safari
15590Chrome on LinuxBrowserHuman or automation (generic Linux desktop Chrome)
14793GPTBotBotOpenAI’s web crawler
14571Chrome on WindowsBrowserHuman or automation (Windows desktop Chrome)
12838Chrome on AndroidBrowserHuman traffic, mobile Chrome
12307SemrushBotBotSEO bot from Semrush
10840Safari on macOSBrowserHuman traffic
9727ClaudeBotBotFrom Anthropic (AI crawler)
7105AmazonbotBotAmazon’s crawler
7018BingbotBotMicrosoft’s search indexer
6296WgetToolScripted fetch tool; likely automation or scraping
5891Facebook External AgentBotFacebook link preview/crawler bot
5101Firefox on WindowsBrowserHuman traffic
4798Googlebot on AndroidBotGoogle’s search bot, disguised as Android browser
4593Chrome on WindowsBrowserRedundant with earlier Chrome/Windows
4143Chrome on macOSBrowserHuman or automation, Mac desktop
3447Unknown (“-”)UnknownEmpty/missing user-agent
3231Firefox on Linux (Ubuntu)BrowserHuman traffic

It also gave me this summary:

  • Total bot/tool traffic: ~695,940 (≈ 85% of top 20 traffic)
  • Likely human browser traffic: ~102,296 (≈ 13%)
  • Unknown/empty: ~3,447 (≈ 0.4%)

This log has a total of 964,802 lines in it, meaning that whatever “Scrapy” is doing is responsible for 60% of the traffic to my blog.

Ugh.

I followed up by asking ChatGPT to give me a robots.txt file that includes all of the bots, and I’ve added that to this site’s robots.txt (leaving out some friendly user-agents like NetNewsWire).

Because “Scrapy” seems particular evil, I also blocked it at the Apache level, with:

<IfModule mod_rewrite.c>
 RewriteEngine On
 RewriteCond %{HTTP_USER_AGENT} ^Scrapy [NC]
 RewriteRule ^.* - [F,L]
</IfModule>

I tested that this was working with:

curl -I -A "Scrapy/2.11.2 (+https://scrapy.org)" https://ruk.ca

Which properly returned:

HTTP/1.1 403 Forbidden
Date: Tue, 10 Jun 2025 22:31:15 GMT
Server: Apache/2.4.63 (Fedora Linux) OpenSSL/3.2.4
Content-Type: text/html; charset=iso-8859-1

I’ll wait 24 hours to see what effect all this has on network traffic and CPU.

🗓️

The magazine section at our local Indigo has been condensed over recent months: a substantial section of magazine racks has been removed, and replaced with puzzles and games. 

The area where general interest magazines like Harpers, Monocle,  The Atlantic, and The New Yorker used to be has been removed, and condensed into a new “Business / Entertainment / Young Readers” section that looked like this today:

A photo of the newsstand at Indigo in Charlottetown showing magazine covers.

I know this because I decided today that I wanted to go and buy myself a real live copy of The New Yorker

I let my subscription go just before COVID, a big step for me, a longtime subscriber who had once been the magazine’s foremost advocate on Prince Edward Island. I decided I was ready to dip my toe back in the waters, and I knew Indigo to be a reliable source. 

Except it wasn’t. 

No copies in evidence, with “we don’t track inventory of magazines”  the only comment from staff, followed by a suggestion that if it wasn’t there, well, then, it wasn’t there.

This all brought back the memory of an email to the magazine’s then-publisher about problems with delivery of the magazine to the late great Tweels, where I wrote, in part:

For some reason, for weeks where Monday is a holiday in Canada, but not in the U.S. — days like Victoria Day in May, Dominion Day in July, and so on — your magazine never arrives at Tweels Gift Shop. I ask at the counter and they tell me some variation of “we were shorted this week.” I don’t really understand what this means. But it is a reliable and consistent problem, and has been for some time.

I have no idea how the The New Yorker gets from New York City to Charlottetown, PEI. But on those weeks — like this one, where November 11 was a holiday here but not there — when The New Yorker is not available, my entire week is affected.

It’s like a small part of the air I breath is not available to me.

I realize that in the grander scheme of things this problem pales in comparison to others I imagine you have on your desk. But I would very much appreciate it if you could be of some assistance in helping to track down and solve it.

Much to my surprise, Mr. Carey replied within 24 hours:

Thank you for this note, and your connection to The New Yorker.

I will pass this on our newsstand operation, who perhaps can answer your question.

Have you ever thought about subscribing, which may prove to be more reliable?

(I love the prompt to subscribe: that’s what publishers are supposed to do!)

True to his word, the query was passed along, and I received a reply, in part:

We apologize for the difficulty that you had in finding the New Yorker at Tweels Gift Shop. We looked into this.

We found that Tweel’s normally receives 15 copies of The New Yorker and, thanks to loyal readers like you, sells an average of 7 copies each week. However, I was told that one recent issue was not delivered to Tweels for some reason. (That’s what they mean by being “shorted”.) Tweels did not get the issue with the cover date October 8. If you have not been able to get a copy of that issue please let me know . I would be happy to send one to you.

Regarding your comments about the Mondays that are holidays in Canada , I have found out that on those weeks Tweels gets their copies on Tuesday. That’s because the magazine distributor also takes off on the Monday holiday.

I love the humanity of this reply, and the earlier ones, a humanity that seems of a bygone era. 

I also like the historic data point that Tweels once received 15 copies of The New Yorker every week, and sold 7 on average.

In the meantime, I think maybe they still stock the magazine on the front counter at Brighton Clover Farm, and perhaps I’ll head over there.

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In 2014, I stopped maintaining my own physical server—an actual computer that I actually owned, and could go and visit upstairs.

At the time I wrote:

At the same time as I made this switch, for the first time I am serving ruk.ca from a server that I don’t own: since the site went live in 1999 it has been served by a series of owned-and-operated PCs. In the early days these were housed in the basement of my house at 100 Prince Street; more recently the server, known as “ross” internally, has been based in silverorange’s Fitzroy Street data center.

At the time, I’d just moved this site, and its cousins, to Amazon Web Services (AWS). This made sense: I was maintaining a fleet of servers for Yankee at AWS, and so I was in and out of the AWS dashboard every day, and it felt like home.

As I’ve written here previously, AWS started to get expensive, and while I was able to tweak things to lower costs, they were still upwards of $125 a month, and that seemed unreasonable given current cash flow. Because I’m no longer working with Yankee, I didn’t have the tethering to AWS that I once had, so I used the opportunity to move elsewhere.

So, as of this morning, this site is hosted on a Hetzner Cloud server in Helsinki (for the technically minded, it’s a CPX31 server, with 4 VCPU, 8 GB RAM and 160 GB of disk). In theory this should lower my hosting costs from the $125/month I’m paying now down to about $20.

A screen shot of the Hetzner summary of my server, showing the same VCPU, RAM and disk figures, along with the price of 13.10 EUR/month

The migration has been mostly lovely: the Hetzner Cloud website is both delightfully simple and delightfully capable. 

Migration will continue for the next week or so; until then I’ll be straddling two worlds. But by mid-month I’ll have divorced AWS and fully re-homed in Finland.

🗓️

A work in progress, an analog spin-off of this blog post from James A. Reeves.

Letterpress prints set to dry.
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One of the magazines I remember being around my parents’ living room when I was a kid was Toronto Life. We lived about 90 minutes from Toronto, and because we were up high on the Niagara Escarpment, the city frequently presented itself as a Oz-like vision in the far distance. The magazine was a look inside that Oz, and I found myself unusually engaged with it, an engagement which has stayed with me, even though Toronto is now 24 hours drive away.

That, and being a student of magazine design, make me particularly interested in the rebranding that was launched in the latest issue. Here’s the before (left) and the after (right):

OId Toronto Life cover styleNew Toronto Life cover style

The editor explains the “new” logo in the latest issue:

The task of capturing this spirit in a logo fell to Toronto Life’s art director, Colleen Nicholson, and Commercial Type’s Christian Schwartz, who were inspired by the magazine’s debut. The inaugural cover, from 1966, featured Barbara Amiel, then a young writer and budding society fixture, under an orange logo featuring a bohemian “T,” a renegade rainbow “r” and a dignified uptown “L.”

I had some affection for the just-departed design, but the new one is growing on me.

(A reminder: if you’re an Apple News+ subscriber you can read Toronto Life there.)

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About This Blog

Photo of Peter RukavinaI am . I am a writer, letterpress printer, and a curious person.

To learn more about me, read my /nowlook at my bio, listen to audio I’ve posted, read presentations and speeches I’ve written, or get in touch (peter@rukavina.net is the quickest way). 

I have been writing here since May 1999: you can explore the 25+ years of blog posts in the archive.

You can subscribe to an RSS feed of posts, an RSS feed of comments, or a podcast RSS feed that just contains audio posts. You can also receive a daily digests of posts by email.