Provincial Credit Union, where I’ve been doing my banking for almost 30 years, is amidst a merge with several other PEI credit unions. The question of naming the merged entity was raised to the combined membership earlier in the summer, and the suggestions were of a nature only someone skilled in naming startup companies could love: I’ve put them out of my mind, but they were names like Extriva, Benefico, Xsmortootha. One of the options, though, was to gather under the legacy Provincial name, and that received my vote.

As such, I was happy to read this morning that it was the clear winner:

We heard you loud and clear. 

An overwhelming majority of members surveyed from each of the four legacy credit unions indicated Provincial Credit Union as their top name choice for the new credit union. 
We are ready to embrace the name Provincial Credit Union and to build on the success of our legacy credit unions to better serve you and your community 

Thank goodness.

The house I grew up in didn’t have a true attic, but it did have an interconnected web of crawlspaces wending around the gabled roof, and at least once I was called to make the crawl thorough the spaces at the behest of my father. The reason why escapes me, but two memories remain: one was the experience itself, and the other was that part of the reason for my recruitment was that my father was claustrophobic.

As far as I can recall my father wasn’t afraid of anything—that seems like an odd thing to write, but I truly can’t think of anything—and so that he was afraid of small spaces was notable. As was the word claustrophobic, which must have been uttered at some point, and struck me as being rather exotic.

I don’t consider myself claustrophobic, and I’ve been in my fair share of submarines and subterranean passageways and tiny elevators without panicking that I’m pretty certain I didn’t inherit the quality from my father.

But COVID claustrophobia is something else entirely.

I first experienced it this summer at The Haviland Club when attending an Island Fringe show there. While I was assured that all the COVID protocols were adhered to, sitting in closer proximity to other people than I’d sat in 18 months felt deeply uncomfortable. I almost had to leave.

And so while many friends and acquaintances have plunged into attending concerts and movies, eating indoors at restaurants with abandon, it’s been all I can do to attend Pen Night twice and to have a few carefully-curated meals out-in.

I make no claims to a moral high ground here, and I suspect that I’m being overly cautious given the actual risks involved.

Indeed I imagine this doesn’t have much to do with COVID at all, and more with more full-throated expression of a pre-existing social anxiety than usual, brought on by spending a year and a half in relative seclusion.

There is likely a dollop of grief-involvement mixed in: when I stop to think about it, the notion that Catherine died and then, two months later, we were all locked inside our houses for months on end, was deeply weird. And not a typical grief pathway.

I’ve been reading The Body Keeps the Score, and the passage that’s jumped out at me most so far is this:

Imagination is absolutely critical to the quality of our lives. Our imagination enables us to leave our routine everyday existence by fantasizing about travel, food, sex, falling in love, or having the last word—all the things that make life interesting. Imagination gives us the opportunity to envision new possibilities—it is an essential launchpad for making our hopes come true. It fires our creativity, relieves our boredom, alleviates our pain, enhances our pleasure, and enriches our most intimate relationships. When people are compulsively and constantly pulled back into the past, to the last time they felt intense involvement and deep emotions, they suffer from a failure of imagination, a loss of mental flexibility. Without imagination there is no hope, no chance to envision a better future, no place to go, no goal to reach.

That the world pressed pause at the very moment my life got flipped-turned upside down, at the very moment I was trying to figure out a new kind of normal: that was freaky and destabilizing. Imagination was what I needed more than anything, and COVID did a good job stanching it; is it any wonder, at this point, that I’m reluctant to power the engines up to full and resume my regular diet of public engagement.

Perhaps I am not alone in this?

We’re on our way home from Cape Breton, via the ferry, our band of merry travellers.

The Chief Public Health Office has done something really smart: in place of the tourist information kiosk on the ferry, they’re running “PEI Pass” pre-checks, where they review your paperwork and, if it all checks out, and you don’t need testing, you get a golden (pink) ticket that allows bypass of the lineup on the other side.

Nancy, our cordial shipboard CPHO staffer, was very patient with our various complexities (she didn’t bat an eye when Olivia explained that she’s a trans woman and thus her PEI Pass name doesn’t match her ID), and a ticket we did indeed receive. So at Wood Islands we’ll “keep right,” hand it over, and glide right through.

My friend Eve is teaching a Beatles Ukulele course on Zoom this fall.

On this, the last full day of our summer vacation in Cape Breton, we have been gifted a day of sunshine after many days of rain. So I end my vacation where I started it, in the hammock.

In conversation in the car today, en route to Mabou, I said:

I’m terrified of sailing, but there’s also 3% of me that’s planning to sail around the world.

Apropos of that: We Sailed Into The Middle Of The Ocean, wherein former #vanlife couple “Wild We Roam” sails from Massachusetts to Bermuda. It is, indeed, 97% terrifying and 3% “I must drop everything and do that right now.”

The perpetual quest to figure out chair leg proportions. Twice I’ve dipped my brush in my drink; I’ve yet to accidentally drink the paint water.