The Dating After Death episode of the Widow We Do Now? podcast covers a lot of terrain that’s very familiar to me. Anita and Mel interview the host of the datingafterdeath podcast.

In this Facebook thread kicked off by a friend and co-conspirator from the Peterborough days, Clifford Maynes, much is said about guitar solos, from people who know. Starting with:

A message about solos and fills for all guitar players, myself included:

• play fewer notes - mix in some long slow notes and bends - make it sing
• play melodic solos — the tune is a good place for inspiration - talk to the people - say something that needs saying
• don’t rush to go nuts in upper register in  the second verse - build slowly, keep something in reserve\

I appreciate the comment from Richard Connolly: “Stop chasing notes. The right notes in the right place are what works best. That is the quest.” It mirrors what Laurie Murphy tells us all the time when crafting improv scenes: the answer is right there.

My friend and improv teacher Laurie Murphy took a turn as the Spin Time DJ on CBC Mainstreet this afternoon, talking about her return to PEI, how she first got involved in improv, and what she’s up to now, with an eclectic trio of tunes (I know from experience that boiling a life-so-far down to 3 songs is a Herculean task).

Laurie was very kind to tip her hat to me and my improv experience to date; as I’ve written here before, it’s her skill as a teacher that is so responsible for so much of that.

Sonya Emerick was elected to the Minneapolis School Board. Her reason for running:

I had two choices: to move into litigation with the district or to try to move where I had access to influence systems-level problems and barriers. I chose the latter. When you litigate in special education, it’s a significant amount of time and financial resources. It’s very, very draining on a family emotionally. Even if you get the best possible outcome, it still begins and ends with one kid, typically. I decided I can do something with a bigger impact. That’s why I decided to run.

Sonya, a trans-woman, is the first autistic person elected to the board.

So You Want to Start a Town, by Ryan McManus. (via Why is this interesting?).

Kent Nerburn writes about life as a cab driver, and of one particular night:

When I arrived at the address, the building was dark except for a single light in a ground-floor window. Under these circumstances, many drivers would just honk once or twice, wait a short minute, then drive away. Too many bad possibilities awaited a driver who went up to a darkened building at 2:30 in the morning.

We offered to Olivia a supper of takeout-inspired-by-Catherine last night.

Being a completist, Olivia decided that this meant that we needed to get entrees and desserts from both The Old Triangle and from John Brown Grille, two of Catherine’s favourite haunts.

As a result this, after a meal of sweet potato fries with curry sauce, haddock tacos, shepherd’s pie, and bruschetta, we finished off with sticky date pudding (John Brown) and bread pudding (The Old Triangle), both of which came with their own butterscotch syrup add-on. 

It was a heady night.

Despite—or, actually, because of—it being an emotionally charged day yesterday it was an important night to go to improv class. Lisa, bless her heart, cleared the way for me, and managed the household energy while I escaped.

It was a good night at the improvatorium, with a mixture of new people and veterans, and we had fun making scenes, doing a rant, and conducting character interviews.

As the night drew to a close, and my character interview was the last of them, I realized I had an extra dose of emotional sludge to unburden, and so I channeled it into embodying Jerry Coltane, 18 year old rock star.

At some point in the middle I left my body and I became Jerry.

It was exactly what I needed.

Catherine died three years ago today.

The next day, I wrote this email to a good friend, subject line How Catherine Died:

Oliver¹ spent yesterday in the Palliative Care Centre; they kindly set aside the family room for him, put a do not disturb sign on the door, and secured a DVD player. During movie intermissions he would come and visit with Catherine. 

By this point Catherine had been asleep and unresponsive for almost 48 hours. In the middle of the afternoon I was laying down in the recliner beside her; it was quiet, and I didn’t expect anyone to stop in for a while, so I leaned over and told her that we were going to be okay, and that it was okay for her to die. 

It felt strange doing this, both because it feels strange telling someone it’s okay to die, and because it’s strange talking to someone who’s asleep. 

But I felt I had to say it, out loud, so she knew.

Around 5:00 p.m. Oliver got ready to go home for supper with my mother and my brother Mike; he came to see Catherine and gave her a big hug.

After seeing them off, I came back into Catherine’s room, and one of the volunteers brought in supper for me. I picked up my tray, then I heard a subtle change in Catherine’s breathing and put my tray down. Something had changed. I wasn’t sure what. But she was breathing a new rhythm.

I settled down, took my dinner tray, and ended up eating only the dessert, a strange kind of cold pear crisp.

Around 7:30 p.m., the nurses came in to freshen Catherine up, as they did every night she was in palliative care. I waited in the kitchen next door. 

While I was waiting I had a chat with a volunteer, someone I’d met a few nights earlier. She was finishing up her shift, and told me she hoped my mother would be okay. I didn’t correct her. On either front.

I got settled in the reclining chair beside Catherine’s bed, and felt restless. I alternated between trying to have a nap, and reading a book. The book was one given to me by a friend last week about a Hollywood actor who died from lung cancer; it was written by her husband, and made up mostly of the email newsletter he sent out to friends and family every night. 

After 9:00 p.m. I was well past the place in the book where the protagonist died and was several months into the husband’s grieving.

At 9:15 p.m. I looked over at Catherine and her eyes, the the first time since Tuesday, seemed to be open. 

“KD?”, I asked.

She made a sort of cough or a sneeze, grimaced, scrunched her nose, and seemed to stop breathing. But she’d seemed to stop breathing a hundred times over two days and so… 

Then she did breathe a couple of breaths.

And then repeated the cough/sneeze. I think at this point I half expected her to wake up and say “surprise!” 

But she didn’t: after a few more breaths, she stopped. 

And everything was still.

Until I re-read that email, just now, I’d forgotten that I’d told Catherine that it was okay to die.

It’s uncomfortable writing that out loud here.

It remains in the mystical realm whether Catherine heard me, and whether my words had any effect; it was something, I suspect, that I had to say out loud for my own benefit more than for hers.

But, also, we knew she was going to die, if not that day or that night, within the next few, and releasing her from any obligation to hold on seemed important.

We are so collectively terrified of death that it’s something we seldom talk about, and that itself is part of what amplifies the terror. For six years, since she was given an incurable diagnosis of metastatic breast cancer, I knew that Catherine was going to die. But I had no idea how or what that would be like, and the world around me seemed aligned in a desire to keep my eye off that ball.

And that’s why I’m repeating here those words I wrote three years ago: I want to help, if not “normalize” death, at least make it more possible, more permissible, to talk about, to write about, to anticipate death without abject terror.

The grief that followed Catherine’s death, three years worth of it, has been the roller-coasterest part of my life to date. I’ve felt my lowest lows, and my highest highs. I’ve had times when I have woken up, for weeks on end, in a cold sweat at 3:30 a.m. and not been able to get back to sleep. I’ve felt the freedom of being able to consider the future again. I’ve imagined being coldly fearfully alone, forever. I’ve tried my best to help Olivia process the loss of her mother. And I’ve found great new love. A way forward. Happiness.

What I’ve arrived at, three years in, is that grief is only on the surface about the things it appears to be about: deeper below is a complicated web of trauma connected to the bottom falling out of everything, maintaining daily life in the face of certain death (at some random point), the exhaustion of trying to buoy everyone else’s spirits, the (unspoken) frustration of not being able to plan anything, of having the future capped. Grief fucked me up, and for many, many more reasons than “I’m really sad that Catherine’s gone.”

And so, more recently, it’s been this that I’ve been quietly confronting, walking through, accepting.

For all of you who knew and loved Catherine, I am thinking of you today, in solidarity, and with the hope that you’re finding your own ways through the forest.

1. Oliver (he/him) now identifies as Olivia (she/her).

From Anna Havron’s Analog Office blog, a suggestion to keep a canonical Where Is It? file, a pointer to where all the things are kept.

I spend 3% of my energy worrying about where the safe deposit box key is (and another 0.5% wondering why I still have a safe deposit box). I worry about where the passports are. And Olivia’s birth certificate. And the spare key to the Kia Soul. So I’ve done as suggested and created a shared Notes folder into which I’m pouring notes about all those things the location of which is not immediately obvious.