Eleven years ago, in an effort that confounds me when I look back at it, Oliver and I climbed to the top of Vor Frelsers Kirke in Copenhagen.

It was raining. Oliver was only 6 years old. By all rights he (and I) should have been terrified at the prospect of walking up creaky woeden ladders through spooky antechambers and then out onto the slippery, twisting, copper-sheathed ramp to the golden top. But somehow it seemed like the right thing to do at the time, and we survived. As the evidence clearly shows:

I thought of that rainy May morning today while watching the Bjarke Ingels episode of the Netflix series Abstract.

There’s a scene, about halfway through, that features Ingels–superstar iconoclastic Danish architect–making exactly the same trip up to the top of the church spire.

It’s a beautifully shot scene–much better visuals than my lowly Nokia N70 could capture back in 2006–and it’s an appropriate visual metaphor for the arc of Ingel’s rise:

If you ever find yourself in Copenhagen, the trip up to the top, should you be able to contort yourself into the same height-defying state of mind that Oliver and I did, is well worth the effort; here’s the church’s own description of its spire:

The spire of the church was consecrated in 1752, more than 50 years after the building of the church had been completed. After more than 250 years as an internationally noted landmark of Copenhagen, the tower and spire now stand in all their splendour following the last great restoration in the 1990s. The city has grown in the meantime, but the view from the tower of Our Saviour’s is still the best in town — and the most frightening. It has always been regarded as somewhat of a manhood test to climb up and touch the globe on the summit. That the whole spire is built of oak which can shake a little in a strong wind, adds to the sinking feeling as one stands at the top. The tower on Copenhagen Town Hall is 14 metres taller. The tallest church tower in Denmark on Århus Cathedral is three metres taller but no tower in Denmark can match the beauty of Our Saviour’s tower as the evening sun shines on the gilding ‘like a tongue of fire’ (Thurah’s Vitruvius III)

The architect Lauritz de Thurah (1706-1759) designed the spire, his greatest work, and had it approved and paid for by Christian VI. He was inspired by the university chapel of St. Ivo in Rome where Borromini’s Renaissance tower also has an external spiral form. While Borromini built in sandstone, de Thurah used oak, making it possible to achieve the great height of the spire.

The spire consists of an external staircase with four twists, starting from the gallery and continuing all the way up. On the way towards the top, the visitor is protected by a gilded iron grating. At the top is a gilded globe from which the gilded figure of Christ with banner looks out over the city.

The dimensions of the spire are considerable. It is 90 metres from the ground to Christ’s banner and there are 400 steps to be climbed, of which, the last 150 wind around the outside of the spire. The globe at the top can contain 12 grown men and is 2.5 metres in diameter, the Christ figure is three metres tall.

I’d no idea that our climb was regarded as a “manhood test,” and I reject the sexism implicit in that claim.

But it was thrilling.